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Every Elmes Jewellery piece begins long before the shine.
It starts with a feeling, a memory or a small detail that catches my eye. A leaf in the Devon hedgerows. The curve of a shell. A word that means everything to someone. From there, I sketch, shape, fire and polish until the original idea becomes something you can hold and wear.
This is the journey from sketch to sparkle : and the story behind my handmade jewellery.
The first spark : inspiration and meaning
I have always been drawn to objects made slowly and with care. My Nanna had a huge influence on me. She believed that the best things were made by hand, with patience and love. Whether she was baking, sewing or creating something for the home, she valued the process as much as the finished piece.
That belief still guides me today.
I find much of my inspiration in the Devon countryside. I notice the small things : the delicate veins of a sage leaf, the uneven edge of a wildflower, the texture of weathered bark or a shell found beside the sea. These organic details often become the starting point for a new design.
Sometimes the idea is personal to me. Other times, it begins with a conversation with a customer.
For bespoke jewellery design, I always start by asking: what story are we telling?
Perhaps you want to remember a special place. Maybe you would like to include a loved one’s initial, a meaningful date or the shape of a favourite flower. You might be imagining a custom charm necklace with several small symbols, each representing a chapter of your life.
You do not need to arrive with a perfect design. Bring me the feeling, the memory or the rough idea. I love collaborating with clients and helping to bring their vision to life.

From conversation to sketch
Once I understand the meaning behind a piece, I begin sketching.
The first drawings are usually simple. I explore different shapes, proportions and textures. I think about how the jewellery will feel against the skin, how it will move and how it will be worn.
For a ring, I consider the width of the band and the way the design sits on the finger. For a pendant or charm, I look at the balance between the main shape and the chain. A botanical design may need space for its texture to breathe. A personalised charm may need a clean area for initials or a word.
This is where an idea starts to become tangible.
There is something special about a hand-drawn design. It shows the thinking behind a piece. It also leaves room for change. A line may become softer. A shape may become slightly asymmetrical. A detail may be removed so that another one can stand out.
I am not trying to create something that looks mass-produced. I want every piece to retain its handmade charm : including the beautiful imperfections that show it has been touched, shaped and finished by hand.
Choosing the materials
For many Elmes Jewellery pieces, I work with Art Clay Silver. In its raw form, it looks and feels more like soft grey clay than precious metal.
Art Clay Silver is made from tiny particles of fine silver, an organic binder and water. It is wonderfully tactile. I can roll it, sculpt it, cut it and press textures into it before it is transformed by heat.
The silver used in this clay is recycled, which is important to me. Jewellery should be beautiful, but it should also be made thoughtfully. Working with recycled silver supports a more responsible approach to small-scale production and helps reduce the need for newly mined material.
I also use recycled silver and other high-quality materials where suitable for a design. My focus is always on creating pieces that are meaningful, durable and built to last.
If you are exploring artisan jewelry, comparing handmade gold rings or searching for unique handmade rings, it is worth looking beyond the finished shine. Ask how the piece was made, what materials were chosen and whether it was created to be enjoyed for years.
Sculpting, pressing and texturing
This is one of my favourite stages.
I begin with the soft silver clay and start to shape it by hand. Depending on the design, I may roll it to an even thickness, cut it into a planned form or build up a sculptural surface.
Then comes the texture.
I can press a real leaf into the clay to capture its natural veins. I can use flowers, fabric, shells or other organic surfaces to create a one-of-a-kind impression. I can also stamp words, initials or dates into the clay.
These details make a piece personal.
A leaf used in a commission may come from a childhood garden. A word may be shared only between two people. A shell-inspired texture may remind someone of a favourite beach. Once the clay is fired, these small marks become part of the silver itself.
The clay is delicate at this point. It must be handled carefully, especially once it has dried. I refine the edges, smooth any areas that may feel uncomfortable and check that the texture is clear without losing its natural quality.
A little unevenness is welcome. A slightly wobbly edge or an organic surface is not a mistake. It is proof of the making process.

The transformation : firing with a torch
The firing stage is where the real transformation happens.
Once the clay is completely dry, I place the piece on a suitable heatproof surface and apply the flame of a torch. At first, the organic binder burns away. The piece may darken, smoke or show a small flame. Then the silver particles begin to fuse together.
As the temperature rises, the piece develops a soft, peachy-orange glow.
This is the moment I never get tired of watching.
The heat changes the clay into solid fine silver. The binder disappears and the microscopic silver particles sinter : fusing together to create metal that is 99.9% pure silver.
The transformation is simple, but it feels like alchemy. A soft, grey material becomes something lasting and precious.
There can be slight shrinkage during firing, too. This is a normal part of the process and one of the reasons careful planning matters, especially for rings and fitted designs. Handmade jewellery is not about removing every natural variation. It is about understanding the material and working with it.
Hand polishing and finishing
When the piece first comes away from the heat, it does not look like the finished jewellery you may imagine. It is usually matte and pale : sometimes almost white.
This is where hand finishing begins.
I use brushes, polishing papers and specialist tools to reveal the silver beneath the fired surface. I smooth the edges and refine the shape. I polish raised areas to create highlights and may leave deeper textures darker to add contrast and depth.
Some pieces have a bright, luminous finish. Others suit a soft satin surface or a gentle patina. The finish is chosen to support the character of the design.
This stage takes time. I inspect the piece from every angle. I check the comfort, the balance and the strength of the fittings. For a ring, I make sure the inside is smooth and wearable. For a pendant or custom charm necklace, I check that each connection is secure.
The final result should feel beautiful, but it should also feel right.

The final reveal : gift-ready and made to last
Once the jewellery is finished, I give it one final inspection before preparing it for its new home.
Every Elmes Jewellery order arrives gift-ready. I package each piece carefully so that opening it feels special, whether it is a present for someone you love or a meaningful treat for yourself.
My packaging is designed to complement the jewellery : simple, considered and understated. The focus remains on the piece inside.
I also include care guidance. To help your jewellery stay beautiful, avoid contact with perfumes, harsh chemicals and excess water. Store it in a dry place, ideally in a soft pouch or box.
With thoughtful care, a well-made silver piece can be worn for years. It can become part of your everyday story, then be passed on as a keepsake.
Begin your own jewellery story
From the first sketch to the final polish, every Elmes Jewellery piece is made slowly and personally. I use recycled materials where possible, small-scale production and hands-on techniques that allow the character of the material to remain visible.
If you have an idea for bespoke jewellery design, I would love to hear it. Bring me a memory, a symbol or a simple spark of inspiration. Together, we can create something meaningful and entirely your own.
Book a consultation through the Elmes Jewellery website or browse the rings collection for inspiration.
You can also explore the pendants and charms collection, including nature-inspired designs such as the Sage Entwined pendant and Sound of the Sea.
Explore now : and find the piece that tells your story.